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The Barber Institute of Fine Arts is an art gallery and concert hall in Birmingham, England. It is situated in purpose-built premises on the campus of the University of Birmingham. The Grade II listed Art Deco building was designed by Robert Atkinson in the 1930s and opened in 1939 by Queen Mary. The first building to be purpose-built for the study of art history in the United Kingdom, it was described by architectural historian Sir John Summerson as representing "better than almost any other building (except, perhaps the RIBA in Portland Place) the spirit of English architecture in the 1930s." The layout of the museum is centred on a central concert hall which is surrounded by lecture halls, offices and libraries on the ground floor and art galleries on the first floor. In the 2005 Penguin Books publication ''Britain's Best Museums and Galleries'', the Barber Institute was one of only five galleries outside London to receive five stars for having "''Outstanding collections of international significance''" (the others were the National Gallery of Scotland, Oxford University's Ashmolean Museum, Cambridge University's Fitzwilliam Museum and the Walker Art Gallery, Liverpool).〔Fisher, Mark ''Britain's Best Museums and Galleries: From the Greatest Collections to the Smallest Curiosities'', Penguin Books, 2005 ISBN 0-14-101960-3〕 ==Location and history== The Institute is located 5 km southwest of the city centre at the East Gate of the university campus and has one of the most outstanding collections of art assembled in Britain in the 20th century, including works by Gwen John, André Derain, Fernand Léger, René Magritte and Egon Schiele. It was set up by Martha Constance Hattie Barber in memory of her husband Sir William Henry Barber, a wealthy property developer and solicitor who made his fortune expanding Birmingham's sprawling suburbs. Lady Barber was a descendant of the old Birmingham family of Bellowsmakers known as Onions and was an heiress in her own right. By his mid-thirties, the couple had retired but their connections with the city remained strong. In 1924, William Henry Barber received a baronetcy for 'Political Services to Birmingham'. He died three years later. Lady Barber decided to make a permanent contribution to the city in his memory. In 1932, the Barber Institute of Fine Arts was established, and was bequeathed to the University 'for the study and encouragement of art and music'. Lady Barber died 4 months later leaving all of her assets to the trustees of the Institute. This money was used to expand the collection and fund the construction of a new building. In order to ensure that only artworks of the highest quality were bought for the Barber Institute, its founding trust deed stipulated that all purchases should be 'of that standard of quality as required by the National Gallery and the Wallace Collection'. The founding Director (from 1935–1952) was Thomas Bodkin, who acquired the nucleus of the collection described by ''The Observer'' as "the last great art collection of the twentieth century". Bodkin's successor was Professor Ellis Waterhouse who served from 1952–1970. The current Director of the Barber is Nicola Kalinsky, previously Deputy Director and Chief Curator of the Scottish National Portrait Gallery, National Galleries of Scotland. She joins the Barber in the midst of its 80th anniversary programme and will lead the Barber as it hones plans for a major redevelopment of its building. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Barber Institute of Fine Arts」の詳細全文を読む スポンサード リンク
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